The first half an hour of this rattles along with plenty of good humour, injected with further energy by the Big Country soundtrack, which is as dyed in the wool Scottish as a fine Highland kilt.

~ Amber Wilkinson -

The first half an hour of this rattles along with plenty of good humour, injected with further energy by the Big Country soundtrack, which is as dyed in the wool Scottish as a fine Highland kilt.

~ Amber Wilkinson -

Lafosse makes excellent choices with his editor Marie-Hélène Dozo (long-time collaborator of Jean-Pierre and Luc Dardenne) in what is shown on screen and what is left out for us to fill in.

~ Anne-Katrin Titze -

Lafosse makes excellent choices with his editor Marie-Hélène Dozo (long-time collaborator of Jean-Pierre and Luc Dardenne) in what is shown on screen and what is left out for us to fill in.

~ Anne-Katrin Titze -

[Hart] doesn’t turn up the volume, but uses tone and repetition so effectively that the film becomes a microcosm of the real experience.

~ Jennie Kermode -

[Hart] doesn’t turn up the volume, but uses tone and repetition so effectively that the film becomes a microcosm of the real experience.

~ Jennie Kermode -

We are looking at events as if they were long, long ago and far, far away, and the magical realist stories that unfold make no attempt to hide their allegorical nature.

~ Jennie Kermode -

We are looking at events as if they were long, long ago and far, far away, and the magical realist stories that unfold make no attempt to hide their allegorical nature.

~ Jennie Kermode -